#Video Viewing Room

Los Cybrids

La Raza Techno-Crítica

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Lynn Hershman Leeson

Desire, Inc.

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Tsedaye Makonnen

Astral Sea: Views

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Wong Kit Yi

DIAL 432 TO SEE THE LIGHT (with Kitchen archive-inspired notes on TV funerals, bagpipes, traveling tape, hidden frequencies, and more)

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Kearra Amaya Gopee

Ca(r)milla

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troizel and Buffy

waves

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Millennium Film Workshop

Open Screenings

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Christelle Oyiri

OBLIMEMBER

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In a dark room with a video projection on the rear wall, Brian Fuata stands near a mic stands and handles a white sheet. Yellow text reading "diving gushing water sounds" appears at the top of the image. To the right of Brian, white, italicized text reads, "Aodhan wrote me a poem about ghosts doing their laundry."

Brian Fuata

of a house besieged (preposition tweaked)

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Will Lee

All it does is turn

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On a patch of grass and dirt stands a sculptural installation of three white wall panels arranged to form a triangle. The panels have colorful and patterned abstractions painted on them.

June Canedo de Souza

Every Memory Belongs to a Myth

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A.J. McClenon and Katherine Simóne Reynolds

Gestures Investigating the Good and Not So Good In Relationships – As Shown to Us by Blondell Cummings

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Still from  Umber Majeed, Excerpts from Trans-Pakistan Zindabad (Long Live Trans-Pakistan), Single-Channel Animation, 21:46, 2019-Ongoing.

Umber Majeed

Trans-Pakistan Zindabad

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Still from from Amit Desai, Cross Eyed, 2021. HD videos. Director of Photography: Gabriel Noguez, Editor: Tim Watson.  Courtesy of the artist.

Amit Desai

Anthrodrama

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Allana Clarke

Of My Longing and My Lack

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Rhea Dillon: “(Working Title) Browning 2025,” 2021. Image courtesy of the artist.

Rhea Dillon

(Working Title) Browning 2025

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Film still from Abbey Williams 'Overture,' 2020.

Abbey Williams

Intermission and Overture

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Two hands hold open a handmade book that has cotton forming a border around an archival B&W image of people working in the cotton fields. In the background, the same archival image is shown.

Neta Bomani

Dark matter objects: Technologies of capture and things that can’t be held

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Steffani Jemison

Recitatif (What if we need new words?)

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Na Mira

Passages Paysages Passengers

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SHAWNÉ MICHAELAIN HOLLOWAY

reprise

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Fawn Krieger

Property Acts

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The Kitchen in association with Visual AIDS

We Interrupt This Program

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Jill Kroesen, Stanley Oil and His Mother, 1977. Performance view at The Kitchen. Photo by Babette Mangolte.

Jill Kroesen

Stanley Oil and His Mother

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Greg Mehrten, Ron Vawter, and Marianne Weems

The Pomodori Foundation

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1990sConversationOn Screen2020sVideo Viewing Room

Richard Kennedy

Fubu Fukú

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Beau Bree Rhee

Performance Paysage

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On ViewVideo Viewing Room

Sahra Motalebi

Directory of Portrayals

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Eiko & Koma and DonChristian Jones

Eiko & Koma with Response by DonChristian

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Lauren Bakst

after summer, or not in the kitchen (the bed, the bathroom, the dance floor and other spaces)

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PerformanceVideo Viewing Room

Clarice Jensen and Testu Collective

The experience of repetition as death

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Lex Brown

Foccaciatown:Reloaded

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Jenny Perlin

The Bunker Films

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Lauren Berlant, Sadhana Bery, Rizvana Bradley, Jane Caflisch, Lori Gruen, and Saidiya Hartman

A Diagnostic on Whiteness: The Empathy Conundrum

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2010sConversationVideo Viewing Room