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 “Blue” Gene Tyranny in still from Robert Ashley, Perfect Lives, 1978. Produced in collaboration with Carlota Schoolman for The Kitchen. Courtesy of Dean Winkler.

Carlota Schoolman and Stephen Vitiello

In Conversation

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Jessica Hagedorn, Tenement Lover: (no palm trees/in new york city), 1981. Performance view, The Kitchen. ©1981 Paula Court.

Constance DeJong, Jessica Hagedorn, Carl Hancock Rux, and Matvei Yankelevich

Literature at The Kitchen: A Roundtable

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Still from from Amit Desai, Cross Eyed, 2021. HD videos. Director of Photography: Gabriel Noguez, Editor: Tim Watson.  Courtesy of the artist.

Amit Desai

Anthrodrama

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Miguel Gutierrez, Age & Beauty Part 1: Mid-Career Artist/Suicide Note or &:-/, photo by Ian Douglas.

Lex Brown and Miguel Gutierrez

Across the Table

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Lauren Berlant, Sadhana Bery, Rizvana Bradley, Jane Caflisch, Lori Gruen, and Saidiya Hartman

A Diagnostic on Whiteness: The Empathy Conundrum

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2010sConversationStreaming NowVideo Viewing Room
Two hands hold open a handmade book that has cotton forming a border around an archival B&W image of people working in the cotton fields. In the background, the same archival image is shown.

Neta Bomani

Dark matter objects: Technologies of capture and things that can’t be held

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Still from Autumn Knight, Performance Recording, 2020

Autumn Knight

Residency Project

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Los Cybrids

La Raza Techno-Crítica

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Clarice Jensen and Testu Collective

The experience of repetition as death

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Christelle Oyiri

OBLIMEMBER

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troizel and Buffy

waves

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Film still from Abbey Williams 'Overture,' 2020.

Abbey Williams

Intermission and Overture

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Brontez Purnell by Laylah Amatullah Barrayn for The New York Times, 2022.

Jeremy O. Harris and Brontez Purnell

Across the Table

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Allana Clarke

Of My Longing and My Lack

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Tsedaye Makonnen

Astral Sea: Views

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Lex Brown

Foccaciatown:Reloaded

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Jawole Willa Jo Zollar, Hair Stories, photo by Bette Marshall.

Jawole Jo Willa Zollar and Kaneza Schaal

Across the Table

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SHAWNÉ MICHAELAIN HOLLOWAY

reprise

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A.J. McClenon and Katherine Simóne Reynolds

Gestures Investigating the Good and Not So Good In Relationships – As Shown to Us by Blondell Cummings

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Still from  Umber Majeed, Excerpts from Trans-Pakistan Zindabad (Long Live Trans-Pakistan), Single-Channel Animation, 21:46, 2019-Ongoing.

Umber Majeed

Trans-Pakistan Zindabad

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A photo detail of the book Morgan Bassichis's “The Odd Years”. The book is purple with black text.

Morgan Bassichis

The Odd Years Book Launch

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Rhea Dillon: “(Working Title) Browning 2025,” 2021. Image courtesy of the artist.

Rhea Dillon

(Working Title) Browning 2025

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Will Lee

All it does is turn

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Na Mira

Passages Paysages Passengers

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Lynn Hershman Leeson

Desire, Inc.

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Sadie Barnette, Fancies, 2022. Powdered graphite and color pencil. Image via Jessica Silverman.

Sadie Barnette and Meriem Bennani

Across The Table

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Matthew Lutz-Kinoy

Filling Station

On Screen

Between Performance and DocumentOn ScreenStreaming Now

Wong Kit Yi

DIAL 432 TO SEE THE LIGHT (with Kitchen archive-inspired notes on TV funerals, bagpipes, traveling tape, hidden frequencies, and more)

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In a dark room with a video projection on the rear wall, Brian Fuata stands near a mic stands and handles a white sheet. Yellow text reading "diving gushing water sounds" appears at the top of the image. To the right of Brian, white, italicized text reads, "Aodhan wrote me a poem about ghosts doing their laundry."

Brian Fuata

of a house besieged (preposition tweaked)

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Millennium Film Workshop

Open Screenings

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Five dancers in grey unitards appear in a staggered line, each holding the same pose: right foot extended back on a diagonal, arms outstretched at an angle. The dancers are on grass in a park, with a row of tall grass behind them. Audience members stand and watch in the background.

Beau Bree Rhee

Shadow of the Sea

On Screen

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On a patch of grass and dirt stands a sculptural installation of three white wall panels arranged to form a triangle. The panels have colorful and patterned abstractions painted on them.

June Canedo de Souza

Every Memory Belongs to a Myth

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Kearra Amaya Gopee

Ca(r)milla

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A blurry image shows several people standing close together bathed in red light.

Lauren Bakst

after summer, or not in the kitchen (the bed, the bathroom, the dance floor and other spaces)

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