On the occasion of the Kitchen's 2019 Editions Portfolio Program, Tony Cokes created this special limited-edition silkscreen print. The print is a still drawn from Cokes’s video Evil.71 + The Fall of The Studio (2019). Always attuned to the way criticism shapes our understanding of art, Cokes borrows the depicted phrase from Leah Pires’s Art in America review of the Frankfurt Museum für Moderne Kunst’s 2019 Cady Noland retrospective.

 

Screenprint on cast acrylic

12 x 15 in.

Edition of 30 with 2 APs

Courtesy the artist, Greene Naftali, New York, and Hannah Hoffman, Los Angeles

 

Proceeds from the sale of this limited edition will support artists whose groundbreaking, genre-defying work appears at The Kitchen throughout the upcoming season.