Sacha Yanow

Uncle! is an experimental reimagining of the cultural tradition of the Purimspiel—the comic dramatization of the Book of Esther, performed in celebration of the Jewish holiday Purim. Through language, light, sound, and movement, Yanow shapeshifts in and out of a diasporic werewolf ancestor figure Uncle Mordechai, weaving together aspects of Purim, personal history, and the experiences of their actual uncle working as a pulmonologist during the initial decade of the HIV/AIDS epidemic. In a ritual portrait of intergenerational loneliness and longing that draws from Jewish incantation, Yiddish theater, and drag performance, Uncle! toggles the thin line between humor and grief, reframing the narrative of Purim and prompting us to consider its significance today in relation to anti-Zionist and queer lineages of care and resilience.

Uncle! is Yanow’s last work in a trio of solo performances based on familial archetypes, including the father (Dad Band, 2015) and the grandmother (Cherie Dre, 2018). These embodied renderings mine the artist’s family history as an entry point for engagements with broader social issues and as a means of reconnecting to estranged individual and cultural histories.

The creative team for Sacha Yanow: Uncle! includes Nemuna Ceesay (Director), Lu Coy (Musician/Composer), samantha estrella (Associate Director), Azalea Fairley (Costume Design), Alejandro Fajardo (Lighting Design), Lluca Huatuco (Movement Design), Cate McCrea (Scenic Design), Isaac Silber (Sound Design), and Ariana Swei (Production Stage Manager).

Sacha Yanow: Uncle! is organized by Alison Burstein, Curator.

BIOS

Sacha Yanow is a Lenapehoking/NYC based performance artist and actor. Their solo practice is rooted in theater, queer performance, and radical Jewish tradition, using humor and physicality to explore themes of gender, aging, loss, and diaspora. Yanow’s work has been presented by venues including MoMA PS1, Danspace Project, Joe's Pub, and the New Museum in NYC; PICA’s TBA Festival/Cooley Gallery at Reed College in Portland; and Festival Theaterformen in Hanover, Germany. They have received residency support from Baryshnikov Arts Center, Denniston Hill, LIFT Festival UK, Lower Manhattan Cultural Council, MASS MoCA, and Yaddo among others. Yanow served as Director of Art Matters Foundation for twelve years, and previously worked at The Kitchen as Director of Operations. They currently act as a creative consultant for fellow artists and organizations, and are a member of Jewish Voice for Peace. They received a BA from Sarah Lawrence College and are a graduate of the William Esper Studio Actor Training Program.

Nemuna Ceesay (Director) (she/her) is a director, actor, and educator based in New York. She is thrilled to be making her debut at The Kitchen with Uncle!. Select Directing Credits: Playwrights Horizons (Amusements), Clubbed Thumb (22/23 New Play Directing Fellow; Reply All), Atlantic Theatre School (Metamorphoses; Twelve Ophelias), Associate Director of the Pulitzer Prize and Tony Award winning musical A Strange Loop on Broadway. Select Acting Credits: Shakespeare Theatre Company (Here There Are Blueberries), The Shed (Straight Line Crazy), Two River Theater (Three Sisters), CalShakes (A Raisin in the Sun; The Comedy of Errors), Joe’s Pub (The Unfortunates), PlayMakers Rep (Tartuffe; The Christians), The Public Theatre (What to Send Up When It Goes Down), Oregon Shakespeare Festival (2015/16 seasons). Select TV credits: Bull, Broad City, Instinct, Younger, FBI, and Prodigal Son. Nemuna is the founder and Creative Director of an all BIPOC training program called The Blueprint. MFA in Acting from American Conservatory Theater. Follow her on Instagram @nemuna.ceesay, visit her website at www.nemunarceesay.com, and learn more about The Blueprint at www.theblueprintartist.com.

Lu Coy (Musician/Composer) (they/them) is a queer mixed media artist and musician of Mexican and Ashkenazi Jewish heritage based in Los Angeles, California. Known for their mastery of woodwinds, elegant use of electronics, and agile vocals, Coy embraces modern technologies and compositional techniques, while mining inspiration from ancient texts, stories, and musical traditions. Notably, Coy is an avid performer of Ashkenazi, Sephardi, and various Latin American musical traditions, singing regularly in Spanish, Yiddish, and Ladino. They have been featured prominently in contemporary theatrical and operatic works by Anna Luisa Petrisko, Egg & Spoon Theatre Company, and Four Larks Opera company. As a recording artist, Coy’s winds and vocals can be found on records by artists such as Eyvind Kang, San Cha, Avey Tare, and Blonde Redhead. They hold degrees in music performance and composition from the Boston Conservatory of Music and California Institute of the Arts and have taught for various institutions such as The Hammer Museum, California Institute of the Arts, and Plaza de la Raza. In November 2023 their newest composition “Song of the Two Moons” was commissioned and premiered by the Getty Research Institute in celebration of the launch of the Getty’s Digital Florentine Codex project.

samantha estrella (Associate Director) (she/her) is a director seeking the transformative abundance that love ethic within storytelling brings. Practicing critical consciousness and remindings of relationality, she hopes to supply and/or be surrounded by artistry that awakens us to love’s position as an all-possible, tangible, eternal, force of nature. Past and present environments of collaboration include Atlantic Theatre Company, NAMT, National Black Theatre, KGM Productions, Watermark Productions, and more. Estrella is a recent alum of Wingspace Theatrical Design’s Mentorship as well as of the Mercury Store’s first Directing Technique Intensive. She is currently assisting two beloved centers of art, CLASSIX and playwright/dramaturg/cultural worker Nissy Aya. She holds a BFA from University of Michigan in Theater Direction.

Azalea Fairley (Costume Design) (she/her) is a New Orleans-born, NYC-based costume designer. Selected Off Broadway and Regional credits include: After Midnight (Paper Mill Playhouse), Shadow/ Land (Public Theater), Eternal Life Pt1 (Wilma Theater, PA), Clyde’s (George St Playhouse, NJ), Detroit 67 (TheatreSquared, AR), Blood Knot (Flat Rock Playhouse, NC), By the Way Meet Vera Stark (Colorado Fine Arts Ctr), 10x10 Play Fest (Barrington Stage, MA), Schoolgirls (TheatreSquared, AR), What Lies Beneath (On Site Opera, NY), TJ Loves Sally Forever (Jack Theater, NY, NYT Critics Pick). Broadway assistant credits include: Hamilton and A Strange Loop (2022 Tony Award Winner for Best Musical). Film credits include The Rainbow Experiment and Paris in Harlem. Nominations include the Audelco Awards, the Barrymore Awards, and the Henry Awards for outstanding costume design. Member of USA 829. Azalea-Fairley.com.

Alejandro Fajardo (Lighting Design) (he/him) is a Colombian lighting designer based in Lenapehoking/Brooklyn. Fajardo strongly believes that art, creativity, and imagination should be used to inspire our communities through the current crises we face and to build a new future that centers community care and growth. He really wants to know what you personally are doing to further this goal in your life. Really, let him know through his website. Fajardo works as a lighting and production designer for theater, opera, and dance. He has also designed escape rooms, a series of theatrical immersive games, site lighting for music festivals, and various New York Fashion Week shows. He is a lighting director for the Flamenco Festival and one of the associate lighting directors for Fall for Dance Festival at New York City Center. www.alejofaj.com.

Lluca Huatuco (Movement Design) (they/them) was born in Miami and began ballet training at Walnut Hill School for the Arts and later in the Professional Division at the Pacific Northwest Ballet in Seattle. At 20, they moved to Paris to work as a freelance dancer across Europe. When the global pandemic brought live performance to a halt, Huatuco began working as a dance and documentary filmmaker. In 2021, they co-founded the production company HUATUCO with their sister and collaborator. Since then, Huatuco has performed in New York, Paris, and Miami in spaces such as Center for Performance Research, Les Grandes Serres de Pantin, and Superblue. Their work is centered around the elevation of gender-variant experiences, shamanic futurism, and the celebration of indigeneity. They continue to collaborate and co-facilitate performances with many other Queer, Indigenous, and Jewish artists, and are releasing their first feature-length art documentary later this year. @ancientbaddi3

Cate McCrea (Scenic Design) (she/her) is a scenographer specializing in collaborative development of new works. Her designs are inspired by and drawn from craft techniques, recycled materials, archival collections, and daydreams. You can find her at the library, or in the littoral zone. McCrea last collaborated with Sacha Yanow as the set designer for Cheri Dre at Danspace Project in 2018. Recent live performance design: The Good John Proctor (Bedlam), Corsicana (Playwrights Horizons, co-design with Lael Jellinek), The Collision/The Martyrdom (59E59). Other work at the Brick, New Ohio Theatre, the Tank; and with The Acting Company, Little Opera Theatre of New York, and the Drama League. McCrea is a member of the current cohort of Target Margin Institute fellows. She is a New Jersey native, a graduate of Williams College, and a proud member of USA 829.

Isaac Silber (Sound Design) (he/him) is a multi-instrumentalist sound designer and recording engineer based in Brooklyn, New York. Some of his vibrations have been heard in places like Performance Space New York, The Kitchen, The Academy of Arts and Letters, Center for Performance Research, Montréal, arts interculturels, Nowadays, many West/Philly basements and bars, The Kennedy Center for the Performing Arts, the ICA at VCU, CA2M, Madrid, New York Live Arts, The Museum of Pop Culture, and on the world wide web. Silber is currently in his fifth year of pursuing a PhD in Performance Studies at NYU.

Ariana Swei (Production Stage Manager) (they/them) is a stage manager, artist, and educator based in Brooklyn. With a passion for new work development, experimental theatre, and socially-engaged art, Swei is thrilled to be supporting Uncle! at The Kitchen. They have previously stage managed or designed productions with Shakespeare in the Woods, Columbia University, and Thyrsus Experimental Theatre. Swei works as the Education and Community Programs Coordinator at Ping Chong and Company, teaches at the Brooklyn Museum and the Museum of Modern Art, and is often reflecting on their desire to feel validated by their affiliation with institutions. They hold a BA in Studio Art and English Literature from Washington University in St. Louis.

ACCESS NOTES

Entry: There are stairs or ramp access to an open door marked with The Kitchen's name, behind which there is an elevator accessible to the public. The elevator enters directly to the loft. The space can be exited via elevator or stairs that take you to Bank Street.

Masks: As a safety measure for the artist, their collaborators, and our audiences, audience members are required to wear masks for the duration of the performance. Masks will be available at the door.

Restrooms: Our restrooms and dressing rooms are gender neutral. At present the ADA bathroom is under construction in the loft space. An ADA bathroom is available for our guest use in the courtyard at Greenwich House Center for Older Adults. This bathroom will be available from 6:30-7:30pm.

Online Screening: A recording of the performance will be available to be viewed during Purim, from sundown on March 23 through sundown on March 24. The recording will include closed captions. The screening is free with RSVP; registration will open in March.