Clarice Jensen and Testu Collective

I recorded the album The experience of repetition as death (2020) in Berlin with Francesco Donadello at Vox-Ton studios. All the sounds were created by my cello through a variety of effects and effects pedals that I also use in live performance.

In writing this music, I tried to explore concepts of repetition in both large and small formats, and in both obvious and hidden ways. Very generally—in a programmatic sense—it explores the repetitive nature of our existence. Freud described the “compulsion to repeat” in his writings about the Death Drive (“Beyond the Pleasure Principle”). The title is a line from a poem by Adrienne Rich called “A Valediction Forbidding Mourning.”

As an experience, I hope this album in its repetition might provide the listener with a respite from—or reflection on—the malaise and/or comfort of life’s repetition. The central melodic theme of the album is repeated in tracks one, two, and five….

— Clarice Jensen, April 2020

The video concept for Clarice’s album The experience of repetition as death is an aesthetic extension of Testu Collective’s previous work Acetone Oceans (2019). This work is rooted in the exploration of special effects techniques used in 60s/70s sci-fi films such as Andrei Tarkovsky’s sentient ocean in Solaris, created by zooming into unfolding chemical reactions.

We allow the chemical transformations to guide us into finding organic patterns. Although we are using identical chemical building blocks, there is never a similar structure reproduced. New formations emerge from the repetition of mixing the same solvents, pigments, and catalysts.

Just as Clarice’s album asks us to take a deep listen into the glacial movement of her layers of cello, we are asking the viewer to take a pause in this visual emergence.

— Serena Stucke and Dan Tesene, April 2020

Bios

Clarice Jensen is a composer and cellist based in Brooklyn, NYC who graduated with an MA from the prestigious Juilliard School. In her role as the artistic director of ACME (the American Contemporary Music Ensemble), she has helped bring to life some of the most revered works of modern classical music, including pieces by Philip Glass, Steve Reich, Terry Riley, Gavin Bryars, and more. As a solo artist, Clarice has developed a distinctive compositional approach, improvising and layering her cello through shifting loops and a chain of electronic effects to open out and explore a series of rich, drone-based sound fields. Pulsing, visceral, and full of color, her work is deeply immersive, marked by a wonderful sense of restraint and an almost hallucinatory clarity.

Jensen previously presented work at The Kitchen as part of the events Clarice Jensen and Jonathan Turner: For this from that will be filled and Julius Eastman: Macle, Trumpet, Joan d’Arc (with ACME). To learn more about the artist, visit her website.

Testu Collective is an interdisciplinary art group founded by Dan Tesene and Serena Stucke in 2017 in New York City. Testu creates experimental videos, concept soundtracks, and a.v. installations/performances. Currently the collective consists of an evolving group of performers, videographers, musicians, generative artists, and fabricators. The collective’s goal is to liberate imaginations through unique collaborations with artists in sound, movement, and video. Testu has created immersive installations and curated works at Triskelion Arts (Brooklyn), Wallplay’s On Canal (NYC), Flux Factory (Long Island City), Public Visuals (Brooklyn), Honey’s (Brooklyn), Sound Pedro (Los Angeles), and Ideal Glass (NYC). Testu Collective recently released an audio/visual compilation titled Solace to benefit COVID-19 charities. To learn more, visit the collective’s website.